Poppy’s New Video is a Metalhead’s Dream, But It’s About So Much More Than Mosh Pits
There’s something about Poppy’s latest music video for Dying to Forget that feels like a punch to the gut—and I mean that in the best way possible. Personally, I think what makes this particularly fascinating is how she’s managed to blend her signature avant-garde pop sensibilities with raw, unfiltered metalcore energy. It’s not just a song; it’s a statement. And the video? It’s a visceral, chaotic masterpiece that demands your attention.
The Collaboration That Nobody Saw Coming
One thing that immediately stands out is the collaboration with Isaac Hale of Knocked Loose and Stephen Harrison (formerly of Fever 333). From my perspective, this isn’t just a random team-up—it’s a deliberate fusion of worlds. Poppy’s ability to scream with such ferocity while maintaining her melodic edge is already impressive, but adding these heavyweights to the mix elevates the track to a whole new level. What many people don’t realize is that this isn’t just about genre-blending; it’s about challenging the boundaries of what an artist can do. Poppy’s never been one to stay in her lane, and this collaboration is proof of that.
The Video: A Study in Controlled Chaos
The music video itself is a sight to behold. Shot in a dark, gritty warehouse, it’s a mosh pit of bodies and raw emotion. But here’s where it gets interesting: the chaos isn’t mindless. It’s deliberate. The way Poppy performs alongside Hale and Harrison, surrounded by a sea of fans, feels like a metaphor for something bigger. If you take a step back and think about it, this isn’t just a concert—it’s a rebellion. Against what? Maybe against the expectations placed on artists, or the pigeonholing of genres. What this really suggests is that Poppy’s not just making music; she’s creating a movement.
The Song’s Duality: Screaming Versus Melody
Dying to Forget is a masterclass in contrast. The verses are a full-throttle scream fest, while the chorus pulls back into something almost tender. In my opinion, this duality is what makes the song so compelling. It’s like she’s saying, ‘You can’t have one without the other.’ The intensity of the screams mirrors the raw, unfiltered pain of the lyrics, while the melodic chorus offers a moment of respite—a reminder that even in the darkest moments, there’s a glimmer of hope. What makes this particularly fascinating is how she balances these extremes without losing her identity.
Touring and the Bigger Picture
Poppy’s upcoming North American tour and her support slot for Evanescence in Europe are more than just dates on a calendar. From my perspective, this is her moment to solidify her place as a genre-defying force. Supporting Evanescence, a band that’s long straddled the line between metal and mainstream, feels like a natural fit. But what’s really interesting is how Poppy’s carving out her own path. She’s not just a pop artist dipping her toes into metal; she’s fully immersing herself in it. This raises a deeper question: where does she go from here? Will she continue to push the boundaries, or will she retreat to safer ground? Personally, I think she’ll keep pushing—because that’s who she is.
Final Thoughts: Why This Matters
Poppy’s Dying to Forget video isn’t just a music video; it’s a cultural moment. It’s a reminder that art doesn’t have to fit neatly into boxes. What this really suggests is that the future of music lies in artists who dare to defy expectations. Poppy’s not just making noise; she’s making a statement. And in a world where so much music feels safe and predictable, that’s something worth celebrating.
So, if you’re still reading this, do yourself a favor: watch the video. Feel the intensity. And then ask yourself: what boundaries are you ready to break? Because Poppy’s already lightyears ahead.
